Chinoiserie Teapoy Table with Serpentine Sarcophagus-Shaped Top (Circa 1860–1880)
Chinoiserie Teapoy Table with Serpentine Sarcophagus-Shaped Top (Circa 1860–1880)
Chinoiserie Teapoy Table with Serpentine Sarcophagus-Shaped Top (Circa 1860–1880)
An enchanting 19th-century Chinoiserie teapoy table, richly decorated with gilded and painted Oriental motifs, designed to evoke the romance and mystery of the imagined East during the height of Victorian tea culture.
Key Features
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Rare 19th-century Chinoiserie teapoy table
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Serpentine, sarcophagus-shaped top — highly decorative and unusual
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Lacquered surface with hand-painted and gilded Oriental scenes
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Motifs include pagodas, dragons, and exotic flora and fauna
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Japanned finish inspired by Chinese and Japanese lacquer work
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Elegant proportions designed for tea service or display
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Strong association with Victorian tea rituals and domestic life
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Decorative yet functional antique occasional table
Full Description
This antique Chinoiserie teapoy table dates to the late 19th century, circa 1860–1880, a period when fascination with the “Orient” was deeply embedded in European decorative arts. Crafted as both a functional and ornamental object, this table exemplifies the romanticised European interpretation of East Asian design known as Chinoiserie.
The table is distinguished by its serpentine, sarcophagus-shaped top — a rare and visually striking form that elevates it beyond more conventional teapoy designs. The surface is lacquered and decorated using japanning techniques, with finely painted and gilded scenes depicting pagodas, dragons, and fantastical landscapes populated by exotic flora and fauna. These whimsical vignettes were never intended as literal representations, but rather as imaginative visions of a distant and alluring East.
Historically, a teapoy originated in India as a three-legged stand (from the Hindi tin pai, meaning “three feet”), but in Britain during the Georgian and Victorian eras, the term evolved to describe a small tea caddy or occasional table. Tea drinking had become a ritualised social practice, and teapoys were often placed beside a lady’s chair to hold tea leaves, cups, or serving accessories. This example may originally have contained internal compartments or containers, now absent, which was common for such pieces.
Constructed from wood with painted and papier-mâché decorative elements, this teapoy reflects both skilled craftsmanship and the era’s appetite for elaborate surface decoration. It is a piece that embodies elegance, storytelling, and the layered cultural history of 19th-century interiors.
Whether displayed as a statement accent or used as a refined occasional table, this Chinoiserie teapoy offers depth, character, and undeniable visual romance.
Dimensions
Height: 77 cm
Width: 42 cm
Depth: 42 cm
Materials
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Wood base construction
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Hand-painted decoration
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Gilded detailing
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Japanned lacquer finish
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Papier-mâché decorative elements
Condition
As expected with an antique of this age, the table shows signs of historical use and natural ageing. There is surface wear, gentle fading, and minor marks consistent with over a century of life, all of which contribute to its authentic patina and charm. Overall condition is good and entirely commensurate with age. Unless otherwise stated, any props or ornaments shown are not included.
Origin / Period
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Period: 19th Century
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Date: Circa 1860–1880
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Style: Victorian Chinoiserie
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Origin: Europe (influenced by Chinese and East Asian design traditions)
Styling Suggestions
This teapoy table works beautifully beside an upholstered armchair or chaise longue, echoing its original use during afternoon tea rituals. It also makes a striking accent piece in a hallway, bedroom, or drawing room, layered with porcelain, lacquerware, or a single sculptural object to allow the painted surface to shine.
FAQ
Is this teapoy table purely decorative?
While highly decorative, it was originally intended as a functional tea table and still serves well as an occasional or accent table today.
What is japanning?
Japanning is a European decorative technique developed to imitate Asian lacquer work, involving layered varnishes, paint, and gilding for a rich, glossy finish.
Would this suit a modern interior?
Yes — its sculptural form and intricate surface decoration allow it to act as a standout contrast piece in both traditional and contemporary settings.
Unique Points
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Rare serpentine, sarcophagus-shaped top
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Authentic 19th-century Chinoiserie decoration
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Richly detailed hand-painted and gilded scenes
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Strong historical link to Victorian tea culture
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Decorative patina that cannot be replicated
All your questions answered below...
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